A slow notebook. Mostly film, mostly grey weather, occasionally a paragraph about
something I have been reading. Updated whenever a roll comes back from the lab.
Late light over the ridges — Ilford HP5, pushed one stop.
For two years I tried to get rid of it. Finer stock, slower film, a tripod I resented carrying.
Then a lab technician pointed out that every picture I had pinned above the desk was grainy, and
that I had been solving a problem nobody else could see. Grain is not noise. It is the texture of
the thing that recorded the light, and removing it removes the evidence that anything was recorded
at all.
The same four kilometres, roughly two hundred times. The argument for it is simple: when the
route stops being interesting, you start noticing the light instead. Most of what I like was taken
within a kilometre of home, in the fifteen minutes before the streetlamps come on.
Finished three unrelated books this month and they turned out to be arguing the same point from
different corners: that attention is a practice rather than a resource. Notes below, loosely
organised, probably wrong in places.
Elsewhere
Developing notes and times — kept in a paper notebook, slowly being typed up here.
Contact sheets from 2024–2026 — scanning backlog, no promises.